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Molly Block

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Via unconsumption:

For a project known as Scrapheap Orchestra, some top instrument makers in the UK transformed junk, including pieces of broken furniture, into 44 instruments for members of the BBC Concert Orchestra to play.

The quest to build an…

Via unconsumption:

For a project known as Scrapheap Orchestra, some top instrument makers in the UK transformed junk, including pieces of broken furniture, into 44 instruments for members of the BBC Concert Orchestra to play.

The quest to build an orchestra of instruments out of rubbish is more than just a musical spectacle - in the construction of these instruments we delve into the history of instrument making and the science of music, why different instruments are made the way they are, why some designs haven’t changed for hundreds of years and why, when played together, the sound of an orchestra is unlike anything else on earth.  (via BBC Four)

Next week, BBC Four will broadcast a 90-minute documentary that follows the project, which features the orchestra performing Tchaikovsky’s 1812 Overture on the scrap instruments at the 2011 BBC Proms. (Click here for broadcast info.)

For project photos, see Gramophone’s gallery, source of the above photo of orchestra members with instruments and conductor Charles Hazlewood. (Photo credit: BBC/Chris Christodoulou)

On a similar (instruments-made-from-junk) note, check out the Unconsumption posts on San Francisco’s Junkestra and New York Philharmonic’s percussion-from-junk exploration.

December 8, 2011
Source: http://www.gramophone.co.uk/features/galle...
Tags music, classical music, musicians, junk, upcycled, upcycling, BBC Concert Orchestra, Scrapheap Orchestra, art, arts, performing arts, BBC, musical instruments
Via unconsumption:

Speaking of *trashy* performances:
What do you get when you cross a recycling company with a classical composer? A symphony, written at the San Francisco dump, that’s played on musical instruments made from garbage.
During an art…

Via unconsumption:

Speaking of *trashy* performances:

What do you get when you cross a recycling company with a classical composer? A symphony, written at the San Francisco dump, that’s played on musical instruments made from garbage.

During an artist residency in 2007 at waste management company Recology San Francisco, composer Nathaniel Stookey (pictured above) composed Junkestra, a symphony in three movements, for 30 or so “instruments” created from trash — pipes, pans, mixing bowls, bottles, serving trays, dresser drawers, oil drums, bike wheels, saws, garbage cans, and shopping carts, among other items — he found in San Francisco’s dump. 

San Francisco Symphony Youth Orchestra musicians premiered the 12-minute-long Junkestra in a performance, conducted by Benjamin Shwartz, held at the dump’s warehouse. (Watch the third movement in this video.)

Junkestra has since been performed in San Francisco at the Herbst Theater, the new California Academy of Sciences, and, by San Francisco Symphony musicians, at Davies Symphony Hall. A CD was released earlier this year.

Recology’s artist-in-residence program aims to inspire and educate people about recycling and resource conservation by providing Bay-area artists with access to materials, a work space, and other resources at the company’s solid waste transfer and recycling center.

Junkestra symphony is pure garbage | Crave - CNET

(hat tip to Chrissy Smith, @marimbamaiden18!)


October 10, 2010
Source: http://news.cnet.com/8301-17938_105-200034...
Tags junk, repurposed, art, arts, classical, music, San Francisco

October 10, 2010

Via unconsumption:

The New York Philharmonic Searches for Heavy Metal for Magnus Lindberg’s Kraft (NewYorkPhilharmonic YouTube video)

Last week marked the New York premiere of New York Philharmonic composer-in-residence Magnus Lindberg’s “Kraft,” composed (in 1985 for the Helsinki Festival) for orchestra and percussion — percussion made from found items. 

New York Times music critic Anthony Tommasini noted in his review of Thursday’s New York Philharmonic performance of the work:

“Kraft” (German for “power”) is seldom performed, partly because it is so challenging, but also because Mr. Lindberg stipulates that the percussion resources of the orchestra be fortified with stuff collected from junkyards in the city where the piece is being played, to lend the music local flavor. Mr. Lindberg and the Philharmonic’s game percussionists recently made a fruitful scavenger trip to a junkyard on Staten Island.

Besides the usual assortment of gongs and drums, placed onstage and in stations all around the hall, there were helium tanks, table legs, plastic tubes and bowls filled with water (to make gurgling sounds), and a car hood advertising “Rapid Sewer Cleaning,” which, as Mr. Gilbert [Alan Gilbert, NY Phil’s music director] admitted in some helpful spoken comments before the performance, had no function in the piece. “We just liked it,” he said.

But all sorts of other car parts were conscripted for this elaborate performance: suspension coils, ventilator screens, cranks for tire pumps. Only a longtime auto mechanic could identify all these period instruments.

Source: http://www.youtube.com/watch?v=wTMOpE_t8BA...
Tags junk, repurposed, art, arts, classical, music, New York Philharmonic

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